@article{oai:fujijoshi.repo.nii.ac.jp:00001536,
 author = {藤井, 義博 and FUJII, YOSHIHIRO},
 issue = {54},
 journal = {藤女子大学人間生活学部紀要, The bulletin of the Faculty of Human Life Sciences, Fuji Women's University},
 month = {Mar},
 note = {This study was an effort to understand the reality of the 3????????night of the summer
dance festival and the identity of the painter,its organizer,through the examination
of the goal he sets and the methods he uses in the tale “Night in the Oak Woods”.
His goal is to reconcile in the 3????????night of the summer dance festival where his is
invited by the king of the oak trees,between the king of the oak trees and a peasant
Seisaku,both of whom having gotten involved in quarrel about the chopping down of
oak trees by the later. He uses humour to achieve this goal. The painter seems to
believe songs of oak trees on their feelings about Seisaku, sung one after the other
from their own child-like hearts, should so touch Seisaku’s own child-like heart that
he should sing in turn from his own child-like heart to share his feelings with those
of the oak trees, thus bringing about a reconciliation between them. The 3????????night
of the summer dance festival that he attempts to make is an open, constructively
self-organizing festive space, where a change of the feelings of the painter corresponds
with that of lights of the full moon, and a detested person such as Seisaku is
tolerated and accepted. This festive space seems to be the archetype of a joyous
space of the Rasuchijin-Kyoukai (Rustic Man of Earth Association),which Miyazawa
Kenji established to organize local cultural activities with peasants. The painter,
personified resonance of the oak woods,has got much of a sense of humour. He is
likely to be the future image of Miyazawa Kenji himself who might have decided at
the time when he wrote the tale to work with peasants in the near future, and
moreover, seems to be the prototype of the benevolent man described in his
well-known “Amenimomakezu”,his prayers to himself,who,living in a tiny hut with
a thatched roof in the shadows of the pine woods in the country, is called an
ineffective puppet by everyone,and whom he himself,being nearly bed-ridden for his
last few years, hoped from his heart to become},
 pages = {35--48},
 title = {宮澤賢治の童話"かしはばやしの夜"の画描きの正体 : 栄養療法の知的枠組についての研究(14)},
 year = {2017},
 yomi = {フジイ, ヨシヒロ}
}