@article{oai:fujijoshi.repo.nii.ac.jp:00001547,
 author = {鉢呂, 光恵 and HACHIRO, Mitsue},
 issue = {54},
 journal = {藤女子大学人間生活学部紀要 = The bulletin of the Faculty of Human Life Sciences, Fuji Women's University},
 month = {},
 note = {Sherrie Levine is an artist representing American postmodernism. In 1981,she
transformed a historic photograph,which was taken in 1936 by prominent photographer
Walker Evans,Allie Mae Burroughs,the wife of a tenant farmer affected by the
global depression,into a simulation art created based on the duplication technology
that was popular in America in the 1980s. Through interactive perspectives of Allie
Mae Burroughs, this paper highlights the fact that this production by Levine invites
spectators to evoke a new interpretation exceeding the creator’s intentions.},
 pages = {137--146},
 title = {シェリー・レヴィーンのシミュレーション画像 : 1980年代米国ポストモダニズムの先駆者のひとり},
 year = {2017},
 yomi = {HACHIRO, Mitsue}
}