{"created":"2023-06-20T13:42:11.075984+00:00","id":1547,"links":{},"metadata":{"_buckets":{"deposit":"99465cc0-15e8-45bf-8f48-6a33f0e4ccff"},"_deposit":{"created_by":11,"id":"1547","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"1547"},"status":"published"},"_oai":{"id":"oai:fujijoshi.repo.nii.ac.jp:00001547","sets":["6:80:171"]},"author_link":["2416","292"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"54","bibliographicPageEnd":"146","bibliographicPageStart":"137","bibliographic_titles":[{"bibliographic_title":"藤女子大学人間生活学部紀要 = The bulletin of the Faculty of Human Life Sciences, Fuji Women's University"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Sherrie Levine is an artist representing American postmodernism. In 1981,she\ntransformed a historic photograph,which was taken in 1936 by prominent photographer\nWalker Evans,Allie Mae Burroughs,the wife of a tenant farmer affected by the\nglobal depression,into a simulation art created based on the duplication technology\nthat was popular in America in the 1980s. Through interactive perspectives of Allie\nMae Burroughs, this paper highlights the fact that this production by Levine invites\nspectators to evoke a new interpretation exceeding the creator’s intentions.","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15092/00001538","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"藤女子大学"}]},"item_10002_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"40021191099","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12605795","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2187-4689","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鉢呂, 光恵"},{"creatorName":"HACHIRO, Mitsue","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"2416","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"HACHIRO, Mitsue","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"292","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-07-20"}],"displaytype":"detail","filename":"鉢呂論文.pdf","filesize":[{"value":"497.6 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"シェリー・レヴィーンのシミュレーション画像 : 1980年代米国ポストモダニズムの先駆者のひとり","url":"https://fujijoshi.repo.nii.ac.jp/record/1547/files/鉢呂論文.pdf"},"version_id":"568e450f-d083-49d1-93e2-adb7a6944ecb"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"シェリー・レヴィーンのシミュレーション画像 : 1980年代米国ポストモダニズムの先駆者のひとり","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"シェリー・レヴィーンのシミュレーション画像 : 1980年代米国ポストモダニズムの先駆者のひとり"},{"subitem_title":"Sherrie Levine's simulation art : A pioneer on Postmodernism in the United States in the 1980s","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["171"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-07-20"},"publish_date":"2017-07-20","publish_status":"0","recid":"1547","relation_version_is_last":true,"title":["シェリー・レヴィーンのシミュレーション画像 : 1980年代米国ポストモダニズムの先駆者のひとり"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-06-20T14:04:16.016130+00:00"}