@article{oai:fujijoshi.repo.nii.ac.jp:00001660,
 author = {鉢呂, 光恵 and HACHIRO, Mitsue},
 issue = {55},
 journal = {藤女子大学人間生活学部紀要, The bulletin of the Faculty of Human Life Sciences, Fuji Women's University},
 month = {Mar},
 note = {Sherrie Levine (1947- ) is a contemporary artist who was active in advocating
postmodernism, a movement that dates from the America of the 1980s.
Levine created new images by appropriating photos of people, from a series titled
Others, that had been taken by Walker Evans (1903-1973), a prominent photographer of modern times. Her artistic technique gained considerable attention from critics. In her work, she rephotographed, through her own imagination, the people in the existing
photos, focusing on their gaze, a gaze that was lost in modern times and was different
from a camera-conscious gaze. Through the production of simulated art or appropriated art, she attempted to examine and elucidate how photographic subjects were introduced and socially positioned by the mass media and by photography appreciators.
Her stance on art underlay her attempts to use postmodernist photography to
reconsider, from an artistic standpoint, how modernization had caused various things in
American society to become replaced.
Levine attempted to pursue visual possibilities. Based on an essay by Howard
Singerman that intricately discusses the “gaze” of people shot by Levine who showed a
specific interest in watching, this thesis highlights four items.
1) The composition of photos taken from this postmodernist perspective
2) The “gaze” of people shot by Levine in some photos (multiple lines of sight)
3) “Appropriation” (artistic techniques adopted by Levine)
4) New attempts made by Levine},
 pages = {137--145},
 title = {眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者},
 year = {2018},
 yomi = {ハチロ, ミツエ}
}