{"created":"2023-06-20T13:42:17.387299+00:00","id":1660,"links":{},"metadata":{"_buckets":{"deposit":"b6bdcd9b-47bf-43e0-b88f-3e0125b43701"},"_deposit":{"created_by":11,"id":"1660","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"1660"},"status":"published"},"_oai":{"id":"oai:fujijoshi.repo.nii.ac.jp:00001660","sets":["6:80:190"]},"author_link":["292","259"],"item_10001_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"55","bibliographicPageEnd":"145","bibliographicPageStart":"137","bibliographic_titles":[{"bibliographic_title":"藤女子大学人間生活学部紀要"},{"bibliographic_title":"The bulletin of the Faculty of Human Life Sciences, Fuji Women's University","bibliographic_titleLang":"en"}]}]},"item_10001_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Sherrie Levine (1947- ) is a contemporary artist who was active in advocating\npostmodernism, a movement that dates from the America of the 1980s.\nLevine created new images by appropriating photos of people, from a series titled\nOthers, that had been taken by Walker Evans (1903-1973), a prominent photographer of modern times. Her artistic technique gained considerable attention from critics. In her work, she rephotographed, through her own imagination, the people in the existing\nphotos, focusing on their gaze, a gaze that was lost in modern times and was different\nfrom a camera-conscious gaze. Through the production of simulated art or appropriated art, she attempted to examine and elucidate how photographic subjects were introduced and socially positioned by the mass media and by photography appreciators.\nHer stance on art underlay her attempts to use postmodernist photography to\nreconsider, from an artistic standpoint, how modernization had caused various things in\nAmerican society to become replaced.\nLevine attempted to pursue visual possibilities. Based on an essay by Howard\nSingerman that intricately discusses the “gaze” of people shot by Levine who showed a\nspecific interest in watching, this thesis highlights four items.\n1) The composition of photos taken from this postmodernist perspective\n2) The “gaze” of people shot by Levine in some photos (multiple lines of sight)\n3) “Appropriation” (artistic techniques adopted by Levine)\n4) New attempts made by Levine","subitem_description_type":"Abstract"}]},"item_10001_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"藤女子大学"}]},"item_10001_relation_12":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"40021558756","subitem_relation_type_select":"NAID"}}]},"item_10001_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12605795","subitem_source_identifier_type":"NCID"}]},"item_10001_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2187-4689","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鉢呂, 光恵"},{"creatorName":"ハチロ, ミツエ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"259","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"HACHIRO, Mitsue","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"292","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-07-24"}],"displaytype":"detail","filename":"鉢呂論文.pdf","filesize":[{"value":"732.7 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者","url":"https://fujijoshi.repo.nii.ac.jp/record/1660/files/鉢呂論文.pdf"},"version_id":"2ce9a346-1033-4010-921e-a453016fb58f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者"},{"subitem_title":"A Reexamination of the Gaze in After Walker Evans, a work completed by Sherrie Levine in 1981 : Postmodernist photos and its Others","subitem_title_language":"en"}]},"item_type_id":"10001","owner":"11","path":["190"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-07-24"},"publish_date":"2018-07-24","publish_status":"0","recid":"1660","relation_version_is_last":true,"title":["眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-06-20T14:01:50.164446+00:00"}