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宮澤賢治の童話"かしはばやしの夜"の画描きの正体 : 栄養療法の知的枠組についての研究(14)
https://doi.org/10.15092/00001528
https://doi.org/10.15092/0000152811bb8e8b-c273-4c98-b54b-14596a17b51c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
宮澤賢治の童話〝かしはばやしの夜" の画描きの正体 ―栄養療法の知的枠組についての研究14― (819.1 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-07-19 | |||||
| タイトル | ||||||
| タイトル | 宮澤賢治の童話"かしはばやしの夜"の画描きの正体 : 栄養療法の知的枠組についての研究(14) | |||||
| タイトル | ||||||
| タイトル | The Identity of the Painter in Miyazawa Kenji's Tale "Night in the Oak Woods" : A study on the paradigms of nutrition therapy(14) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15092/00001528 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
藤井, 義博
× 藤井, 義博× FUJII, YOSHIHIRO |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This study was an effort to understand the reality of the 3????????night of the summer dance festival and the identity of the painter,its organizer,through the examination of the goal he sets and the methods he uses in the tale “Night in the Oak Woods”. His goal is to reconcile in the 3????????night of the summer dance festival where his is invited by the king of the oak trees,between the king of the oak trees and a peasant Seisaku,both of whom having gotten involved in quarrel about the chopping down of oak trees by the later. He uses humour to achieve this goal. The painter seems to believe songs of oak trees on their feelings about Seisaku, sung one after the other from their own child-like hearts, should so touch Seisaku’s own child-like heart that he should sing in turn from his own child-like heart to share his feelings with those of the oak trees, thus bringing about a reconciliation between them. The 3????????night of the summer dance festival that he attempts to make is an open, constructively self-organizing festive space, where a change of the feelings of the painter corresponds with that of lights of the full moon, and a detested person such as Seisaku is tolerated and accepted. This festive space seems to be the archetype of a joyous space of the Rasuchijin-Kyoukai (Rustic Man of Earth Association),which Miyazawa Kenji established to organize local cultural activities with peasants. The painter, personified resonance of the oak woods,has got much of a sense of humour. He is likely to be the future image of Miyazawa Kenji himself who might have decided at the time when he wrote the tale to work with peasants in the near future, and moreover, seems to be the prototype of the benevolent man described in his well-known “Amenimomakezu”,his prayers to himself,who,living in a tiny hut with a thatched roof in the shadows of the pine woods in the country, is called an ineffective puppet by everyone,and whom he himself,being nearly bed-ridden for his last few years, hoped from his heart to become |
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| 書誌情報 |
藤女子大学人間生活学部紀要 en : The bulletin of the Faculty of Human Life Sciences, Fuji Women's University 号 54, p. 35-48, 発行日 2017-03-31 |
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| 出版者 | ||||||
| 出版者 | 藤女子大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 2187-4689 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12605795 | |||||
| 論文ID（NAID） | ||||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 40021190913 | |||||
